The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

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Gyu-Jung (Choi Yoon-Young) is a 29-year-old fledgling writer. She also works part-time at her mother's side dish shop and still asks for money from her parents. Her personal life isn't in much better shape as she is seeing her best friend's boyfriend (Lee Jae-Yoon). Gyu-Jung then decides to write a novel about a vampire. This is most likely her last shot at writing a successful novel. A strange man named Nam-Gul (Park Jung-Sik) appears and rents a room at her father's lodging home. The strange man stops by the side dish shop at night and requests custom made dishes from Gyu-Jung. He specifies that all of the side dishes must not contain garlic. Gyu-Jung becomes convinced he is a vampire.

A hotel concierge and a psychiatrist with traumatic childhoods form a heartfelt bond when they become entangled in a perplexing local murder case.

A woman finds a man in a box in front of her home and takes him in. She jokingly says she wants to keep him as her pet since the man reminds her of her childhood dog. The man agrees. Later the woman discovers that the man is a dance prodigy. Complications arise when her old flame from college returns.

Based upon a true story, Marg Helgenberger stars as a single mother mysteriously arrested by the FBI and separated from her children, thus beginning a 25-year struggle to be reunited with them.

Based upon a true story, Marg Helgenberger stars as a single mother mysteriously arrested by the FBI and separated from her children, thus beginning a 25-year struggle to be reunited with them.

Jang Sae-byuk is a cheerful and grateful orphan who always tries her best. She dreams of one day becoming an interior designer, despite her lack of education and money. Because of an accident that happened before the story starts (about three years ago), she loses her sight and undergoes corneal transplant surgery. Different events unravel when she encounters the Kim family, who has lost a daughter in a horrible car crash, unbeknownst to everyone besides the father and older brother. The stories then intertwine when Sae-byuk meets the Kim's extended family and the son of a big interior design company, Lohas, in Korea.

Zhou Yuan is the head of the major crimes division of the police department. During an undercover operation to catch a drug dealer, he inadvertently crosses paths with Bai Xiao Lu. Her impulsiveness almost causes the entire sting to fail. Upon graduating from school, Lu Hao requested to be transferred to major crimes division to fulfill his aspirations to become a good police officer. However, Zhou Yuan's parenting tactics at work often result in tension between the two.

A mother steals her estranged daughter's identity to escape an abusive boyfriend but when he finds her again, she's threatened all the more. But is the ex-boyfriend behind the threat or someone else? It's the forgiving daughter who must save her mother from the exposed villain.