The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

A socially committed student commune gathers in its yearly camp to welcome new members, debate on feminism, culture critique and direct democracy, but also sit by the fireplace and sing songs of the movement.

Despite losing her parents at age three in a car accident, Toko experiences an idyllic childhood thanks to her uncle, who raises her. She dreams of being an actress and, having had some local notoriety in her town, she is ready to take a leap of faith and travel to Tokyo to audition. But, as fate would have it, her hopes are dashed as her world and her country are turned upside down when Japan is struck by the Great East Japan Earthquake on March 11, 2011. This motivates Toko to assist with aid efforts in Kesennuma where she meets volunteer organizer Kiyotaka. While she initially senses something about Kiyotaka is amiss in the midst of their devastated surroundings, feelings of hope grow as do their feelings for one another.

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A woman finds a man in a box in front of her home and takes him in. She jokingly says she wants to keep him as her pet since the man reminds her of her childhood dog. The man agrees. Later the woman discovers that the man is a dance prodigy. Complications arise when her old flame from college returns.

A hotel concierge and a psychiatrist with traumatic childhoods form a heartfelt bond when they become entangled in a perplexing local murder case.

Gyu-Jung (Choi Yoon-Young) is a 29-year-old fledgling writer. She also works part-time at her mother's side dish shop and still asks for money from her parents. Her personal life isn't in much better shape as she is seeing her best friend's boyfriend (Lee Jae-Yoon). Gyu-Jung then decides to write a novel about a vampire. This is most likely her last shot at writing a successful novel. A strange man named Nam-Gul (Park Jung-Sik) appears and rents a room at her father's lodging home. The strange man stops by the side dish shop at night and requests custom made dishes from Gyu-Jung. He specifies that all of the side dishes must not contain garlic. Gyu-Jung becomes convinced he is a vampire.

Young orphans, Mel, Josh and Lucy, can't believe their luck when they are fostered together under one roof. But just when it looks like they have the chance of a relatively normal life, they discover their new parents are aliens from planet Valux!

Based upon a true story, Marg Helgenberger stars as a single mother mysteriously arrested by the FBI and separated from her children, thus beginning a 25-year struggle to be reunited with them.

Based upon a true story, Marg Helgenberger stars as a single mother mysteriously arrested by the FBI and separated from her children, thus beginning a 25-year struggle to be reunited with them.